Adrian Searle describes the exhibition as ‘joyous, unexpected, and wonderfully silly. Whatever next? Once captivated, you want to stay all day.’

This summer, Blenheim Art Foundation will unveil a monumental sculpture by Chinese artist Ai Weiwei (b. 1957) to go on long-term view in the grounds of Blenheim Palace. Gilded Cage (2017) addresses the international migrant crisis, and the physical and ideological constraints of life as a refugee. 

Ai Weiwei was the first contemporary artist in the Palace’s 300-year history to exhibit at Blenheim, when Blenheim Art Foundation launched in 2014, so Gilded Cage will mark a welcome return by the artist. More information to follow.

We are thrilled to announce that ‘Cecily Brown at Blenheim Palace’ has been extended until Sunday 7 February 2021.

Nowness premiere a short film documenting the Italian artist’s large-scale 2019 exhibition at Blenheim Palace. In it, the Italian artist reflects on capitalism, nationalism and the UK’s most audacious art heist.

Blenheim Art Foundation unveils a major solo exhibition by acclaimed British artist Cecily Brown at Blenheim Palace. This is the first exhibition in the Foundation’s programme to be comprised entirely of new work created in response to the Palace, and the first devoted to contemporary painting.

Alastair Sooke says ‘Brown’s engagement with Blenheim – and, by extension, Englishness and class – is exemplary.’

Frahm & Frahm and Kunsthalle Helsinki present the Finnish solo debut of internationally acclaimed Swiss artist Ugo Rondinone, in conjunction with the Helsinki Festival.

British painter Cecily Brown will make new work that explores “a nation in turmoil”, displaying them among historic paintings and objects in Blenheim’s stupendous collection that offer more idealised, bucolic reflections on national life.

Jonathan Jones follows up his review of ‘Maurizio Cattelan at Blenheim Palace’ with a piece reflecting on the theft of Cattelan’s gold toilet America from the exhibition.

Michael Frahm speaks to GQ about exhibition-making, collection building, and what you should buy for 1 million.

Blenheim Art Foundation unveils its sixth exhibition at Blenheim Palace, this time by Italian conceptual artist Maurizio Cattelan.

The Italian artist will stage a large-scale intervention at the Oxfordhire World Heritage site featuring his best known works alongside new pieces for the Palace, opening in September.

Ai Weiwei explores the traumas experienced in China and Mexico in a narrative that appeals to our obligation to construct social memory.

The GFAA program honours innovation and excellence in exhibition design, historical context, educational value, and public appeal. This annual awards program recognizes the best curated fine art and design exhibited around the world. Blenheim Art Foundation and Frahm & Frahm are humbled by this recognition.

A number of stone artworks created for Holzer’s show at Blenheim Palace in 2017 are included in Tate Modern’s ARTIST ROOMS display of the iconic American artist’s oeuvre.

Blenheim Art Foundation’s fifth exhibition, presented in collaboration with the Yves Klein Estate, offers visitors a unique opportunity to view the artist’s seminal artworks in the landmark setting of the World Heritage eighteenth-century Palace.

Blenheim Art Foundation announced upcoming exhibition of the visionary French artist’s work at the Oxfordshire heritage site.

The Danish contemporary art institution plays host to a number of Rondinone’s best-known installations, co-organised by Frahm & Frahm.

‘Here, in what is possibly her most important exhibition to date, the world-renowned New York based artist uses an array of different materials and processes to reboot Blenheim’s military origins.’

The Chinese artist’s city-wide exhibition ‘Good Fences Make Good Neighbours’, organised by the Public Art Fund and Frahm & Frahm, opens in New York City.

The first major U.S. exhibition about the American poet, artist, activist and muse John Giorno has opened simultaneously across 13 locations in New York City, including Sky Art NY, run by Frahm & Frahm.

“My first visit to Blenheim Palace left me with too many ideas, on the complex past and its relevance to this knife-edge present.”

BBC Arts reviews Italian maestro Michelangelo Pistoletto’s new exhibition at Blenheim Palace.

Blenheim Art Foundation announces the next contemporary artist to stage a large-scale exhibition at the Baroque Palace.

A showcase of photography and sculpture, the show in part profiles the artist’s five month-long documentation of the refugee crisis in Greece.

Lawrence Weiner at Blenheim Palace’ earns Blenheim the award for best innovation at a heritage site.

Michael Frahm and Lord Edward Spencer-Churchill talk to Frieze about Lawrence Weiner’s new exhibition at Blenheim Palace.

‘Greetings from a Place in My Heart’ is the Japanese artist’s largest and most comprehensive solo exhibition in the UK to date.

Jonathan Jones says: ‘Modern chinoiserie and myths of east and west meet in a chaotic, hilarious, liberating vision of history gone mad.’

The Art Newspaper breaks the news of the first exhibition of contemporary art by Chinese artist Ai Weiwei at eighteenth-century stately home Blenheim Palace.

The Evening Standard speaks to Schnabel on the occasion of his new exhibition at the Dairy Art Centre.

British Vogue takes in Schnabel’s new exhibition at Dairy Art Centre ‘Every Angel Has A Dark Side’.

An Aldous Huxley novel provides the starting point for a diverse show of contemporary art.

On the eve of the Frieze Masters fair, the FT explores how contemporary art enthusiasts are seeing Old Masters through new eyes – and showcasing them alongside their cutting-edge works.

Discover London’s most influential people 2013: Imagineers, Artists & curators.

Twelve golden animal heads loaded with weighty, contrasting symbolism arrive at ARKEN. Circle of Animals/Zodiac Heads (2010), by the Chinese artist Ai Weiwei, is on long-term deposit from the Frahm Collection.

‘Armleder tends to incorporate every centimetre of gallery space into his installations, so he’s a smart choice to show off a new building. And the Dairy is well worth showing off about.’

‘There are no rules with this space.’ Frahm and Cohen discuss their vision for the new Bloomsbury contemporary art space.

Take two art collectors, a disused milk depot in Bloomsbury and just add artists. Get a taste of what’s in store at the Dairy.

‘Two leading collectors have transformed a former dairy in the heart of London into a vast gallery that will compete with the Saatchi collection for the attention of contemporary art lovers.’

Michael Frahm considers how Warhol’s art can be seen as a strong foreshadowing of Chinese contemporary art.

Nicolai Frahm Discusses Important Artists, Chinese Art And His Exhibit At Sotheby’s.

Nicolai Frahm and Michael Frahm are live on Bloomberg’s ‘Life without Limits’ segment to discuss why more and more of us are developing an interest in the arts market.

Nicolai Frahm discusses the dramatic growth of the art market and invites Bloomberg into his home to view a selection of works from his own collection.

Ahead of the sale of Edvard Munch’s The Scream from 1895 at Sotheby’s New York., Michael Frahm deliberates on who the buyer might be of one of the most recognisable images in art history.

Nicolai and Michael Frahm, art advisers at Frahm Ltd., talk about China’s influence on the contemporary art market.

CNN’s Richard Roth looks at the New York art auction season and speaks to artist Jeff Koons about the price of his work and art adviser Nicolai Frahm and auctioneer Simon de Pury about the market.

Bharti Lalwani has a conversation with the Frahm brothers about the nature of art advising today.